Monday, February 7, 2022

Evanescence - Evanescence + Halestorm - Live at DCU Center [Thursday, 1/20/22] [Review]

Anyone who knows me likely knows how much I love alternative metal band Evanescence. I have been a huge fan ever since discovering them back in 2003 when I saw the "Bring Me to Life" music video (which recently hit a monumental milestone on YouTube!) on MTV (back when MTV actually lived up to its name and was related to music). I got to see them live in March of 2007 in Hartford, Connecticut when they went on tour to promote their 2006 album The Open Door, and I am so happy that I finally got the chance to see them a second time. (I made a promise to myself that I would once I finally got wheels, and I kept that promise.) This show was once again in a New England state, only this time in Worcester, MA (where I saw HIM on their farewell tour except that was at the Worcester Palladium). The venue was a pretty decent size, and I got there as early as I reasonably could without having to wait outside in the cold for too long (as it was freezing cold outside - pretty close to 0 degrees F if I remember correctly) because I wanted a good spot, and I did manage to get a very good spot; this might have even been the closest that I have ever been to the stage at a concert, and, of course, the fact that I paid a pretty penny to be in the pit didn't hurt. Shortly after I got to my spot in the pit, the opening act came on stage - Lilith Czar. I quickly realized that I had seen her album cover (her album title being Created from Filth and Dust) before and had also heard a couple of the songs that she performed such as "King" and "Anarchy." She was pretty good and had great energy, and I loved how she credited Evanescence and Halestorm (I think prior to "King" which would make sense because it's kind of a feminist anthem) as having helped to smash the glass ceiling for women in rock and metal. Lilith's set was a relatively short one consisting of six songs plus the "Intro Poem" introduction, but shorter sets are typical for opening acts. Some shows (as stated above on the tour poster) featured Plush as the opening act instead, and while I am not all too familiar with them either, I did recently hear one song titled "Hate" which I really liked.

It was not a long wait after Lilith wrapped up with "Anarchy" that Halestorm came on, and while I will say that there is only a small handful of Halestorm songs that I like, they definitely did put on a good show. I love frontwoman Lzzy Hale's wild and chaotic energy, and highlights of their set included "Love Bites (So Do I)," "I Miss the Misery" (which they closed with), and, of course, "Break In." "Break In" was my favorite part of Halestorm's set not only because I love the song - a beautiful and haunting piano ballad in which the speaker is thanking someone for being their rock - but also because Evanescence frontwoman Amy Lee came out and joined Lzzy on vocals, which I totally expected would likely happen given that the two have not only done so countless times in the past but also because Halestorm re-recorded the song in the studio with her. (You can watch my video recording of the performance here.) I really liked how they encouraged audience participation when they did "I Miss the Misery," which was one of the main reasons why, as I said, it was one of their set's highlights. I also enjoyed Arejay Hale (Lzzy's brother)'s drum solo which was very impressive (and he was very easy on the eyes too). I overall enjoyed their set, and, as I said, they did put on a good show. With that being said, however, I, as I said, only like a handful of Halestorm's songs. I saw someone say in an Evanescence fan group on Facebook that while they don't hate Halestorm, they didn't love their set when they saw them with Evanescence because Lzzy Hale is a rock star through and through and doesn't have the range or as many facets as Amy Lee does, and I completely agree. (The idea here, of course, is not to pit these two women against each other in any way whatsoever; they're very close friends which is awesome. All that I am saying is that I vastly prefer Evanescence as a band and that I prefer Amy's vocals and style.) I was surprised, however, that Halestorm's set wasn't longer; with Halestorm and Evanescence co-headlining, I expected their sets to be about the same length, but Evanescence's was about twice as long.

After Halestorm finished their set, I heard a lot of people around me complaining that Evanescence was taking a ridiculously long time to come on, but I didn't think so. I totally understand being anxious for who you're ultimately there for to come on (especially since it was a Thursday night which meant that a lot of people had to work the following morning), but it was approximately a half-hour wait which wasn't all that long. I have been to shows at which I waited much longer than that. Anyway, when I first heard The Bitter Truth when it came out last March and listened to the transition between "Artifact / The Turn" and "Broken Pieces Shine," I just knew that that was also how shows would open when they toured for the album, and I was correct. (You can hear both songs together in one track here.) I envisioned it as such: the stage would stay mostly shrouded in darkness with only a little bit of lighting and colors as "Artifact / The Turn" played, the band not yet on stage, and only when "Broken Pieces Shine" started and that incredibly sick guitar riff came would the stage light up fully, revealing the band members and eventually Amy once she started singing the first verse, and I couldn't have been any more on the money. (Amy was at first centered and elevated in the background in shadow before making her full entrance which was very cool.) I just knew that the quiet atmospheric nature of "Artifact / The Turn" while fans anticipated the band to come on stage and then that guitar riff coming in to cut through that and actually get the show started would be a kicka** way to start the show. (Plus, Amy has said before that "Broken Pieces Shine" was essentially written as an anthem for us the fans, so it only made sense to open with it.) That countdown and opening riff at the beginning of "Broken Pieces Shine" was honestly what I was most excited for, and I was not disappointed. Before I continue discussion of the show and some of its highlights, however, I will reveal the set list. There were definitely aspects of the set list that took me by surprise while there were also a couple of aspects that disappointed me, but I will get into all of that shortly.

  1. Artifact / The Turn / Broken Pieces Shine
  2. Made of Stone
  3. Take Cover
  4. Going Under
  5. Lose Control
  6. The Change
  7. Lithium
  8. Wasted on You
  9. The End of the Dream
  10. Far from Heaven
  11. Better Without You
  12. Call Me When You're Sober
  13. Imaginary
  14. Heavy (with Lzzy Hale)
  15. Use My Voice
  16. Bring Me to Life
  17. My Immortal
  18. Blind Belief

Starting with the highlights, "Take Cover," as one would likely expect being familiar with the song, was packed with fierce and raw energy, and it seems to be a favorite of theirs to play live since they actually debuted it live several years ago long before The Bitter Truth was even conceived. There is a part of the song in The Bitter Truth version (that is not in the version that they used to do live) in which Amy sings, "...so come on inside; rest in peace!" When she sings inside, she holds the second i for several seconds in a high pitched wail, one of Amy's most impressive vocal displays thus far in her career in my opinion, and she nailed it perfectly on stage. "Going Under" was also a highlight because it's a song featuring a different vocal style than Lee usually implements, a much lower register in its verses, so it was really cool to see/hear her do that again. The transition from "Lithium" to "Wasted on You" (The Bitter Truth's lead single released a good year or so before the album was) was kind of a cool moment because while I don't know if it was intentional, it made for a pretty cool thematic parallel. In "Lithium," Lee is of course referring to the drug which acts as a mood stabilizer, usually for people who are manic-depressive. "Wasted on You" is also a metaphorical reference to drugs, with Lee telling the addressee of the song that she is wasted on them like she would be a drug. (The first line of the chorus is even "I don't need drugs.") What makes this even more interesting, however, is that on the final night of the tour (which was the night after the show that I went to) in Newark, NJ, the band followed up on "Wasted on You" with "Part of Me" which also makes a metaphorical drug reference ("I need you now like the drug keeping me alive"). Other highlights included "The End of the Dream" (especially since they combined the Synthesis version and the Evanescence version, which was a very pleasant surprise), "Heavy" (a Linkin Park cover - possibly to commemorate Chester Bennington's passing - which involved bringing Lzzy back on stage), "Use My Voice" (mainly because of how Amy involved the audience for the chanting part of the chorus), and "Bring Me to Life" (which was a highlight for me because Amy did Paul McCoy's rapping part - "All this time, I can't believe I couldn't see..." - another pleasant surprise).

One aspect of this show that made it unique for me is how, with it starting with "Artifact / The Turn / Broken Pieces Shine" and then ending with "Blind Belief," it opened and closed the same way as the album that it was promoting. That usually is not the case. When I saw Madonna in 2015, for example, she opened with "Iconic" and closed with "Holiday," even though Rebel Heart opens with "Living for Love" and closes with either "Wash All Over Me" or the title track, depending on the edition. I was also very surprised by the fact that a good number of the older songs that were played, such as "Made of Stone," "Lose Control," "The Change," "The End of the Dream," and "Imaginary," were not singles. Typically, when an artist goes on tour to promote a new album, most of the songs are from the new album (which was not the case - only seven of the set's eighteen songs are from the new album which isn't even half) while the older songs played are former singles, but singles such as "Everybody's Fool," "Sweet Sacrifice," "What You Want," "My Heart Is Broken," etc. were nowhere to be heard. This isn't really a complaint, especially since, if anything, it goes to show that they probably like to mix their set lists up and play what they want to play rather than keep playing the same songs over and over again; it's just a point of surprise for me. The fact that there were several songs from The Bitter Truth not played was a disappointment, however, mainly because I didn't get to hear my favorite song from the new album, the aforementioned "Part of Me." This was definitely a surprise because I remember Amy saying in an interview that (a) the line in the song "drown me in your blinding light" was written specifically about performing live for fans and (b) it was the song from the album that she was most looking forward to playing; however, only certain dates on the tour featured "Part of Me," and mine unfortunately was not one of them. Not even "The Game Is Over" was played, and that is one of the singles from the new album!

I personally would have scrapped older songs such as "The Change" (especially "The Change" because that has always been one of my lesser favorites on the self-titled album) in favor of some more content from The Bitter Truth. Four songs from The Bitter Truth - "The Game Is Over," "Yeah Right" (technically another single albeit a promo single), "Feeding the Dark" (a fan favorite and one of the heaviest tracks - if not the heaviest track - on the album, so that was another surprise), and "Part of Me" were not played, with, as I said, "Part of Me" being the exclusion that disappointed me the most. I also would have loved to have heard them play band versions of "Imperfection" and/or "Hi-Lo," since, with them being the two new songs released as singles from Synthesis, a pretty recent album, it would have made sense to play at least one. With all of that being said, however, I have far more to rave about than I do to complain about and am so, so grateful that I took advantage of the opportunity to see my favorite band a second time, especially since it had been fifteen years since the first time which was far too long. They didn't lose a bit of energy and are still very much in their prime, and the stage was so colorful with really cool graphics and metaphorical images showing on a screen at its rear. Even though I totally expected this because she has been doing it for several years and did it all through the Synthesis tour, a touching moment was definitely when, right before beginning to play "My Immortal," Amy dedicated the song to us and thanked us for being there for her for as long as we have. I also got emotional during the video interlude in between "Far from Heaven" and "Better Without You." A beautiful piano piece (which is apparently appropriately titled "Time Travel" and is from the Donnie Darko score) played during a video that showcased some of the band's memorable moments over the years, and I especially got emotional when a fan was shown at a concert in the past absolutely bawling his eyes out as he sang along to a song. I knew exactly how he felt in that moment because no artist has hit me emotionally like this band has for nearly two decades now, and Evanescence is part of me, now and always.

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